Celebrate Underrepresented Composers and Artists with Your Orchestra!

Embrace Hispanic Heritage Month with a World-Premiere by Juan Sebastian Cardona-Ospina or with well established standards for Saxophone and Orchestra by Villa-Lobos, Marquez and Piazzolla!

Program the AMERICAN PREMIERE of historically significant works by Jewish Composers that were silenced by the Nazi Party. The Konzert by Siegfried Borris (1966) was last performed in 1970 with the Berlin Philharmonic and the Canto by Werner Wolf Glaser (1970) was last performed in Germany in 1989 - both await their AMERICAN PREMIERE!

Recently Michael has been invited to be the guest soloist with the San Jose Chamber Orchestra, Redwood Symphony, Santa Cruz Symphony, Echo Chamber Orchestra, Brooklyn Symphony, Lubbock Symphony, Palo Alto Philharmonic, National Festival Orchestra, Hot Springs Festival Orchestra, Phoenix Symphony Guild, Syracuse University Wind Ensemble, UC Davis Wind Ensemble, San Jose Wind Symphony and many more! Come see what all the fuss is about!

“Michael Hernandez is an outstanding and unique musician. His sense of musical phrasing is inspiring to me as a violinist. It is rare to find such an extraordinary talent!”

— Margret Batjer, concertmaster of the

Los Angeles Chamber Orchestra

“Michael’s great performance was so gripping, shinning, energetic, and powerful, that made my music touching and enjoyable”

- Chen Yi , composer


“Hernandez’s rich and lush tone offers an unfettered palette of colors that constantly react to the emotional need of the music. His musical intelligence, his talent and his spirit of adventure make him a strong musical collaborator.”

-Nicole Paiement, Artistic Director/Conductor- Opera Parallèle

  • Eyes to Look Otherwise (2024) by Juan Sebastian Cardona Ospina WORLD PREMEIRE

    Eyes to Look Otherwise (2024) is a new concerto for soprano saxophone and orchestra or wind ensemble composed by Juan Sebastián Cardona Ospina and dedicated to Michael Hernandez. The work was commissioned by the Latinx Storytellers Project and is based on the artwork of Mexican-American artist, Tino Rodriguez. More

  • Concerto for Soprano Saxophone and Wind Ensemble (2025) by Fred Cohen WORLD PREMIERE

    A new concerto dedicated to Michael for soprano saxophone and Wind Ensemble! Three movements approximately 15 minutes in length. Awaiting it’s World Premeire!

  • Jennifer Higdon’s Soprano Saxophone Concerto (2007)

    The Soprano Sax Concerto has a duration of roughly 17 minutes and is composed in a single movement. Higdon described her inspiration for the work in the score program notes, writing:

    I have always been struck by the range of power and beauty that comes from saxophones. I have seen a sax quartet bring a large school room filled with hundreds of children come to a complete halt with one tutti note. Many people don't realize just how much power exists in this group of instruments, and often they may not realize the potential for beauty. The soprano sax in particular produces a tone of warmth and a real agility that allows it to sing like none of the other instruments in this group. I thought that this instrument would balance the accompanying ensemble quite well, but give listeners a chance to hear its exquisite beauty.

  • Fantasia for Soprano Saxophone and Chamber Orchestra by Heitor Villa-Lobos

    One of the most popular works in the soprano saxophone canon, Villa-Lobos composed this work in 1948.

    Michael has performed this work many times both with piano and orchestra.

    Sample score

  • Danzón No. 6 for Soprano Saxophone & String Orchestra Arturo Márquez

    Mexican composer Arturo Márquez, puts the agility of the soprano saxophone on full display and adds interest by subtly steering the ensemble through a multitude of harmonic areas. Sample score

  • Konzert op. 120 for Soprano Saxophone and Orchestra (1966) AMERICAN PREMEIRE

    Konzert op. 120 for Soprano Saxophone and Orchestra by Siegfried Borris (1966) AMERICAN PREMIERE

    Silenced by the Nazi Party during WWII, German Jewish composer, Siegfried Borris was one of the most widely known figures in the Berlin music scene during the 20th Century. The Konzert was composed for the world famous soprano saxophonist Carina Raschèr in 1966 and premiered on July 9th 1967 at the Allgemeines Deutsches Musikfest in Munich and again in 1971 at the Berlin Philharmonic Concert Hall. Carina Raschèr has charged Michael with ensuring the work’s American Premieremore

  • Canto for Soprano Saxophone and Strings by Werner Wolf Glaser (1970) AMERICAN PREMIERE

    Born into a musical family in Cologne, Germany, Glaser's mother studied piano under Clara Schumann. He pursued piano, conducting, and composition at the Cologne Conservatory, along with art history. Glaser continued his studies in composition with Paul Hindemith in Berlin, where he also explored psychology. From 1929 to 1931, he served as a conductor at the Chemnitz Opera. Persecuted by the Nazis for his Jewish heritage, he fled Germany in 1933 and relocated to Sweden, becoming an active participant in the Swedish classical music scene. He passed away in 2006 and was laid to rest in the Jewish Cemetery in Stockholm. Glaser composed Canto in 1970, dedicating it to soprano saxophonist Carina Raschèr, and it still awaits its American premiere. A PDF of the manuscript score is available upon request.

  • Glazunov Concerto

    The Concerto in E flat major for alto saxophone and string orchestra, Op. 109, was written by Alexander Glazunov in 1934 and dedicated to the classical saxophone pioneer, Sigurd Raschèr . The piece lasts about fourteen minutes and is played without pause. It is deeply rooted in Romanticism, and has entered the standard saxophone repertoire.

 

Conductors

If you are interested in programming one of the above works with your group next season please let us know!